Monday, December 05, 2011

An Unusual Iconography

Giovanni Francesco Barbieri : Il Guercino (1591 - 1666)
The Immaculate Conception
c. 1656
Oil on canvas
259 x 180 cm
Pinacoteca "F. Podesti", Ancona

This is one of the artist's late works. He was a highly prestigious artist of religious works, celebrated as one of the greatest painters of his day

In his late works, Il Guercino exhibited 'a mastery of tender and tranquil colour' (Ellis K. Waterhouse, Italian Baroque Painting, London, 1962, p. 115).

It would appear that this was a work meant and commissioned for private devotion

For a Baroque artist in the Counter-Reformation, it is noteworthy that the iconography used is different from the standard iconography of the time. There is no crown of stars. And God the Father is present.

She does stand on the crescent moon, reminiscent of the Apocalypse but she does not crush the serpent. There is no serpent

It is a meditation on two of the main Scriptural foundations for the Doctrine of the Immaculate Conception:

"And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women" (Luke 1:28)

"And she [Elizabeth] cried out with a loud voice, and said: Blessed art thou among women" (Luke 1:42)

The first quote is the angel`s greeting to Mary at the Annunciation. The second, of course, is the greeting of St Elizabeth to Mary at the Visitation

The Angel`s greeting to Mary had never been applied to any human being before

The painting depicts what Blessed Pope PIus IX said two centuries later in Ineffabilis Deus (1854):

"In like manner did [The Fathers and writers of the Church] use the words of the prophets to describe this wondrous abundance of divine gifts and the original innocence of the Virgin of whom Jesus was born.

They celebrated the august Virgin as ... as the ark and house of holiness which Eternal Wisdom built, and as that Queen who, abounding in delights and leaning on her Beloved, came forth from the mouth of the Most High, entirely perfect, beautiful, most dear to God and never stained with the least blemish."

1 comment:

  1. I wonder why there is a tower in the background. Perhaps it is representative of Those that commissioned the work.