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Sunday, October 16, 2011

Saint Luke

Valentin de Boulogne (Le Valentin) 1591 - 1632
Saint Luke
c. 1625
Oil on wood panel
120 x 146 cm
Musée national des châteaux de Versailles et de Trianon, Versailles

Valentin`s father and uncle were artists. He was trained by the French artist Simon Vouet

In Rome he was influenced by Michelangelo Merisi da Caravaggio and Bartolomeo Manfredi.

But this work of Saint Luke was commissioned by King Louis XIV of France.

The author saint is writing his work.

According to the early Church historian Eusebius Luke was born at Antioch in Syria.

He is also an artist. On the table there seems to be a painting by him of the Virgin and St John. Without Luke, would we know of the Annunciation and the importance of Mary ?

By tradition he was also a doctor.

Looking on is an ox, the symbol of the Evangelist due to the fact of the account at the beginning of the Gospel of the sacrifice of the calf.

But unlike other paintings of the Evangelist, this work has reality, the ring of truth.




The common author of the Third Gospel and the Acts of the Apostles dedicated his two volume work to one Theophilus (Friend of God or Lover of God or Beloved by God)

The hero of Volume One - Luke`s Gospel - is Christ. His follow-up Volume Two - The Acts - is about the Spirit.

He wrote:

"1 In my former book, Theophilus, I wrote about all that Jesus began to do and to teach

2 until the day he was taken up to heaven, after giving instructions through the Holy Spirit to the apostles he had chosen. ...

7 He said to them: It is not for you to know the times or dates the Father has set by his own authority.

8 But you will receive power when the Holy Spirit comes on you; and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth.

9 After he said this, he was taken up before their very eyes, and a cloud hid him from their sight."(Acts 1: 1 - 2; 7 - 9)


Why did he write ? So that Theophilus and all Friends of God would know the Truth of what they had been taught. He wrote:

"3 it seemed fitting for me as well, having investigated everything carefully from the beginning, to write it out for you in consecutive order, most excellent Theophilus;

4 so that you may know the exact truth about the things you have been taught." (Luke 1:3-4)


He appears to have accompanied St Paul on some of his journeys. In Acts we learn that at Troas he meets St. Paul, and, after the vision, crossed over with him to Europe as an Evangelist, landing at Neapolis and going on to Philippi, "being assured that God had called us to preach the Gospel to them" Apart from Paul`s Letters, Acts is the main source about the life of St Paul

He is also why we know about St Stephen, his life and thought. St Luke dedicates two whole chapters to him and the Ministry of Deacons.


Luke is one of the most extensive writers in the New Testament. Without the written witness of St Luke, Christianity would now be something entirely and radically different from today assuming that it had even survived.

Saturday, October 15, 2011

Psalm 126

Jacob van Loo 1614-1670
Zerubbabel displays a plan of Jerusalem to Cyrus the Great
Oil on canvas
95.2 x 90.5 cm
Musée des Beaux-Arts, Orleans

Exile and tribulation were experiences which Jacob van Loo knew only too well.

He was regarded as one of the Masters along with his contemporaries Rembrandt and others in Amsterdam. Van Loo is recorded as living in Amsterdam from 1642.

However in 1660, a charge of manslaughter forced Jacob van Loo to flee to Paris. He was found guilty and sentenced to death in absentia.

He remained in France until his death unable to return to his homeland

The scene depicts the events after the conquest of Babylon by Cyrus, king of Persia (559-530 BC) in 539 BC and the capture of Nabonidus, the last Babylonian king.

As part of his policy Cyrus organized the return to their homelands of a number of people who had been held in Babylonia by the Babylonian kings. The Jewish people held in Babylon and their return to Jerusalem was part of this policy.

Zerubbabel became the governor of the Persian Province of Judah and along with the high priest Joshua led the Jewish people to Palestine

This policy of Cyrus incidentally is memoralised in a fascinating exhibit in The British Museum in London: The Cyrus Cylinder (See below)

The Cyrus Cylinder
Babylonian, about 539-530 BC
Length: 22.500 cm
From Babylon, southern Iraq

There is a modern translation of the text on the Cyrus Cylinder here:


"I sought the safety of the city of Babylon and all its sanctuaries. As for the population of Babylon […, w]ho as if without div[ine intention] had endured a yoke not decreed for them, I soothed their weariness; I freed them from their bonds(?). ...

From [Shuanna] I sent back to their places to the city of Ashur and Susa, Akkad, the land of Eshnunna, the city of Zamban, the city of Meturnu, Der, as far as the border of the land of Guti - the sanctuaries across the river Tigris - whose shrines had earlier become dilapidated, the gods who lived therein, and made permanent sanctuaries for them.

I collected together all of their people and returned them to their settlements, and the gods of the land of Sumer and Akkad which Nabonidus – to the fury of the lord of the gods – had brought into Shuanna, at the command of Marduk, the great lord, I returned them unharmed to their cells, in the sanctuaries that make them happy.

May all the gods that I returned to their sanctuaries, every day before Bel and Nabu, ask for a long life for me, and mention my good deeds, and say to Marduk, my lord, this: “Cyrus, the king who fears you, and Cambyses his son, may they be the provisioners of our shrines until distant (?) days, and the population of Babylon call blessings on my kingship. I have enabled all the lands to live in peace."

The biblical record of the Edict of Cyrus is recorded in The Old Testament and reads as follows.

“Thus says Cyrus king of Persia, All the kingdoms of the earth has Jehovah, the God of heaven, given me; and he has charged me to build him a house in Jerusalem, which is in Judah. Whosoever there is among you of all his people, his God be with him, and let him go up to Jerusalem, which is in Judah, and build the house of Jehovah, the God of Israel he is God, which is in Jerusalem. And whosoever is left, in any place where he sojourns, let the men of his place help him with silver, and with gold, and with goods, and with beasts, besides the freewill-offering for the house of God which is in Jerusalem” (Ezra 1:2-4; cf. also 6:2-5).


This great event in the history of the people of Israel is celebrated in The Old Testament. And on Wednesday last the Pope delivered his catechesis on one of the Psalms which celebrates this event: Psalm 126.




"Psalm 126

A song of ascents.

1 When the LORD restored the fortunes of Zion, then we thought we were dreaming.

2 Our mouths were filled with laughter; our tongues sang for joy. Then it was said among the nations, "The LORD had done great things for them."

3 The LORD has done great things for us; Oh, how happy we were!

4 Restore again our fortunes, LORD, like the dry stream beds of the Negeb.

5 Those who sow in tears will reap with cries of joy.

6 Those who go forth weeping, carrying sacks of seed, Will return with cries of joy, carrying their bundled sheaves."


Psalm 126 is one of the Song of Ascents (Psalms 120 - 134) which were eventually combined into the Book of Psalms. They are songs of pilgrims on their way of pilgrimage to the restoration of the terrestial Jerusalem and the rebuilding of the Temple and by extension for Christians towards the Heavenly Jerusalem.

This psalm is the seventh Step

It seems to date after the Babylonian exile (539 BC)


In fact the Psalm directly refers to the situation when the Jewish people returned to the Land of Israel and were in the process of resettling the land and rebuilding the Second Temple in Jerusalem


The Ingeborg Rennert Center for Jerusalem Studies at Bar-Ilan University Ramat-Gan, Israel summarises the situation more fully thus:

"Second Temple Period (538 B.C.E. to 70 C.E.) Persian Rule.

The Assyrians and Babylonians used mass exile to eliminate popular movements for national independence and maintain peace within their vast empires. King Cyrus of Persia, who conquered Babylonia and established an even greater empire, reversed this policy and allowed local religious autonomy. Jerusalem became the capital of Yehud (named for the tribe of Judah; most Jews are descendants of the tribe of Judah) a small Persian province 40 km. by 50 km.

The book of Ezra opens with Cyrus's call to the Jews to return to their land and rebuild their temple (in 538 B.C.E.).

Thousands returned to Jerusalem, led by Shesbazzar and Zerubavel (probably the son and grandson of the exiled King Jehoiakim of Judah) and Yeshua son of Yozadak (probably the grandson of the last high priest of Jerusalem). They built an altar on the Temple Mount and began rebuilding the Temple and the city.

Three chieftains of provinces bordering on Yehud complained to the Persians, warning that if the Jews were permitted to rebuild the walls of Jerusalem they would rebel. King Darius responded by stopping all building in Jerusalem.

Subsequently the original building authorization was found in the royal archive and the work resumed with the encouragement of the prophets. Haggai criticized the people for sitting in comfortable houses while the Temple was not yet rebuilt (Haggai ch. 1-2).

Construction of the Second Temple began in 521 and was completed in 516. The Second Temple was apparently built on the spot where the First Temple had stood, with the same dimensions, but with an important difference: the First Temple had stood next to the king's palace, almost as if it were his private house of worship. At the beginning of the Second Temple period the royal palace complex did not exist, and the Temple towered over the city with no royal city intervening, making it appear more accessible to the common people. Thousands of pilgrims ascended to the Temple on the three annual pilgrim festivals: Passover, Shavuot, and Sukkot (Tabernacles).

The completion of the Temple enhanced the prestige of the high priest, who became the religious and political leader of the Jews. The political leaders mentioned in the opening chapters of the book of Ezra disappear without a trace."


It is this liberation from exile and the resettlement of Judaea by Cyrus the Great (580-530) that is recalled in these works:

Attributed to the workshop of Aurifaber
Cyrus and the Reconstruction of the Temple
Initial from the first chapter of the Book of Ezra
c. 1250
Illustrated manuscript
From the Dominican Convent, Dijon
F. 227v ms. 0007 Dijon - BM -

Pieter Lastman 1583 - 1633
Cyrus gives the order to build the Temple at Jerusalem
Pen and ink drawing
38.8 x 16.2 cm
Kupferstichkabinett (SMPK), Berlin, Germany

Cyrus was hailed as a good and just King by the people of God. Their thanks to him was boundless. "The Third Isaiah" memorialises the gratitude of the people to Cyrus in Isaiah 45:1-6 despite the fact that Cyrus did not recognise God of the Israelites and worshipped other gods:

"1 “This is what the LORD says to his anointed,
to Cyrus, whose right hand I take hold of
to subdue nations before him
and to strip kings of their armour,
to open doors before him
so that gates will not be shut:
2 I will go before you
and will level the mountains;
I will break down gates of bronze
and cut through bars of iron.
3 I will give you hidden treasures,
riches stored in secret places,
so that you may know that I am the LORD,
the God of Israel, who summons you by name.
4 For the sake of Jacob my servant,
of Israel my chosen,
I summon you by name
and bestow on you a title of honour,
though you do not acknowledge me.
5 I am the LORD, and there is no other;
apart from me there is no God.
I will strengthen you,
though you have not acknowledged me,
6 so that from the rising of the sun
to the place of its setting
people may know there is none besides me.
I am the LORD, and there is no other. "


Psalm 126 itself consists of a narrative (vv1-2), a song (v:3), a prayer (v 4), and a promise (vv 5-6)

It consists of two parts: the first is the celebration of the freedom from Babylon to go back to the land of Israel; the second part is in relation to the great task ahead on arrival in Israel

In his talk the Pope said:

"The psalmist begins the prayer in the name of all Israel by recalling the thrilling experience of salvation:

"When the Lord restored the fortunes of Zion,
we were like those who dream.
Then our mouth was filled with laughter,
and our tongue with shouts of joy" (Verses 1-2a).

The psalm speaks of "restored fortunes"; that is, restored to their original state in all their former favourability.

It begins then with a situation of suffering and of need to which God responds by bringing about salvation and restoring the man who prays to his former condition; indeed, one that is enriched and even changed for the better.

This is what happens to Job, when the Lord restores to him all that he had lost, redoubling it and bestowing upon him an even greater blessing (cf. Job 42:10-13), and this is what the people of Israel experience in returning to their homeland after the Babylonian exile.

This psalm is meant to be interpreted with reference to the end of the deportation to a foreign land:

The expression "restore the fortunes of Zion" is read and understood by the tradition as a "return of the prisoners of Zion."

In fact, the return from exile is paradigmatic of every divine and saving intervention, since the fall of Jerusalem and the deportation into Babylon were devastating experiences for the Chosen People, not only on the political and social planes, but also and especially on the religious and spiritual ones.

The loss of their land, the end of the Davidic monarchy and the Destruction of the Temple appear as a denial of the divine promises, and the People of the Covenant, dispersed among the pagans, painfully question a God who seems to have abandoned them.

Therefore, the end of the deportation and their return to their homeland are experienced as a marvelous return to faith, to trust, to communion with the Lord; it is a "restoring of fortunes" that involves a conversion of heart, forgiveness, re-found friendship with God, knowledge of His mercy and a renewed possibility of praising Him (cf. Jeremiah 29:12-14; 30:18-20; 33:6-11; Ezekiel 39:25-29).

It is an experience of overflowing joy, of laughter and of cries of jubilation, so beautiful that "it seems like a dream."

Divine help often takes surprising forms that surpass what man is able to imagine; hence the wonder and joy that are expressed in this psalm:

"The Lord has done great things."

This is what the nations said, and it is what Israel proclaims:

"Then they said among the nations,
'the Lord has done great things for them.'
The Lord has done great things for us;
we are glad" (Verses 2b-3).

God performs marvelous works in the history of men.

In carrying out salvation, He reveals Himself to all as the powerful and merciful Lord, a refuge for the oppressed, who does not forget the cry of the poor (cf. Psalm 9:10,13), who loves justice and right and of whose love the earth is filled (cf. Psalm 33:5).

Thus, standing before the liberation of the People of Israel, all the nations recognize the great and marvelous things God has accomplished for His People, and they celebrate the Lord in His reality as Saviour.

And Israel echoes the proclamation of the nations, taking it up and repeating it once more -- but as the protagonist -- as a direct recipient of the divine action: "The Lord has done great things for us"; "for us" or even more precisely, "with us," in hebrew 'immanû, thus affirming that privileged relationship that the Lord keeps with His chosen ones, and which is found in the name Emmanuel, "God with us," the name by which Jesus would be called, His complete and full revelation (cf. Matthew 1:23)."


The Pope summarised the first part of the Psalm thus, concentrating on the joy which it expresses and the necessity for expressing gratitude to God for everything which He has done for us and in particular delivering us from exile towards home and liberation:

"[I]n our prayer we should look more often at how, in the events of our own lives, the Lord has protected, guided and helped us, and we should praise Him for all He has done and does for us.

We should be more attentive to the good things the Lord gives to us.

We are always attentive to problems and to difficulties, and we are almost unwilling to perceive that there are beautiful things that come from the Lord.

This attention, which becomes gratitude, is very important for us; it creates in us a memory for the good and it helps us also in times of darkness.

God accomplishes great things, and whoever experiences this -- attentive to the Lord's goodness with an attentiveness of heart -- is filled with joy.

The first part of the psalm concludes on this joyous note. To be saved and to return to one's homeland from exile are like being returned to life: Freedom opens up to laughter, but is does so together with a waiting for a fulfillment still desired and implored."


In the second part of the psalm, joy gives way to a less happy note. As Pope Benedict says:

"Freedom opens up to laughter, but is does so together with a waiting for a fulfillment still desired and implored. ...

If at the beginning of the prayer, the psalmist celebrated the joy of a fortune already restored by the Lord, now instead he asks for it as something still to be realised.

If we apply this psalm to the return from exile, this apparent contradiction could be explained by Israel's historical experience of a difficult and only partial return to their homeland, which prompts the man who prays to implore further divine help to bring the People's restoration to completeness. ...

the psalm uses distinctive imagery that in its complexity calls to mind the mysterious reality of redemption, in which the gift received and yet still to be awaited, life and death, joys dreamed of and painful tears, are interwoven"


The Pope meditates on the first image of the second part: "the dried-up streams of the Negeb desert,which with the rains are filled with rushing waters that restore life to the arid ground and make it flourish"

There are a number of images in Wikipedia which demonstrate what the Psalmist is referring to: the flash flood which transforms the arid desert landscape


A fast flood taking shape. A series of two pictures taken less than 2 minutes apart. April 2006. The Israeli southern desert - Negev

Flooded trees at the Negev desert, Israel. (close to Sde Boker) (Yuvair)


The second image is the pain and toil involved in sowing seeds: the deprivation of not eating the seeds and the backbreaking work involved in planting in the hope of better returns:

Edgar Degas 1834 - 1917
Scène orientale
Oil on canvas
12.5 x 22.4 cm
Musée d'Orsay, Paris

Then the waiting and taking care of the plants

Until finally the joy of harvest:

Giovanni Segantini 1858 - 1899
Harvesting hay
Oil on canvas
Musée Segantini, Saint-Moritz

Of the second part of the Psalm, the Holy Father linked this up with the New Testament references to seed, the Parable of the Sower, and the Grain of Wheat and said:

"The first image refers to the dried-up streams of the Negeb desert, which with the rains are filled with rushing waters that restore life to the arid ground and make it flourish. Thus, the psalmist's request is that the restoration of the People's fortunes and their return from exile be like those waters, roaring and unstoppable, capable of transforming the desert into an immense stretch of green grass and flowers.

The second image shifts from the arid and rocky hills of the Negeb to the fields that farmers cultivate for food.

In describing salvation, the experience renewed every year in the world of agriculture is here recalled: the difficult and tiring time of sowing, and then the overflowing joy in the harvest.

It is a sowing in tears, since one casts to the ground what could still become bread, exposing it to a time of waiting that is full of uncertainty: The farmer works, he prepares the earth, he scatters the seed, but as the parable of the Sower illustrates well, one never knows where the seed will fall -- if the birds will eat it, if it will take root, if it will become an ear of grain (cf. Matthew 13:3-9; Mark 4:2-9; Luke 8:4-8).

To scatter the seed is an act of trust and of hope; man's industriousness is needed, but then one must enter into a powerless time of waiting, well aware that many deciding factors will determine the success of the harvest, and that the risk of failure is always lurking.

And yet, year after year, the farmer repeats his gesture and scatters the seed. And when it becomes an ear of grain, and the fields fill with crops, this is the joy of he who stands before an extraordinary marvel.

Jesus knew well this experience, and He spoke of it with those who were His own:

"He said:

'The kingdom of God is as if a man should scatter seed upon the ground, and should sleep and rise night and day, and the seed should sprout and grow, he knows not how'" (Mark 4:26-27).

It is the hidden mystery of life, these are the wondrous, "great things" of salvation that the Lord carries out in human history and whose secret men do not know.

When divine help is manifested in all its fullness, it has an overflowing dimension, like the watercourses of the Negeb and like the grain of the fields -- the latter also evoking a disproportion characteristic of the things of God: a disproportion between the effort of the sowing and the immense joy of the harvest; between the anxiety of waiting and the comforting vision of the granaries filled; between the little seeds thrown upon the ground and the great sheaves of grain made golden by the sun.

At the harvest, all is transformed; the weeping has ended and has given way to an exultant cry of joy.

This is what the psalmist refers to when he speaks of salvation, of liberation, of the restoration of fortunes and of return from exile. The deportation to Babylon, like every other situation of suffering and of crisis, with its painful darkness filled with doubts and the apparent absence of God, in reality -- our psalm says -- is like a time of sowing.

In the Mystery of Christ -- in the light of the New Testament -- the message becomes even clearer and more explicit: The believer who passes through this darkness is like the grain of wheat that falls into the earth and dies, but that bears much fruit (cf. John 12:24); or, borrowing another image that was dear to Jesus, the believer is like the woman who suffers the pains of labor for the sake of attaining the joy of having brought a new life to light (cf. John 16:21)."

Tuesday, October 11, 2011

A Pastoral Scene


The Good Shepherd
From Christian Roman sarcophagus
c. AD 250
Marble
0.920 m. x 2.160 m. x 1.050m
Département des Antiquités grecques, étrusques et romaines, Musée du Louvre, Paris

The Good Shepherd
Lunette on the North entrance
c AD 420 -450
Mosaic
Mausoleum of Galla Placidia, Ravenna



Albarello ( maiolica earthenware jar) : The Good Shepherd
about 1500-1520
Faïence
Possibly from the Abruzzese, Faenza
0.245 m. x 0.160 m.
Musée du Louvre, Paris


Our idea of shepherds and sheep have been influenced by thousands of years of the Pastoral: the complex life made simple; a rural life rather than urban; close to idyllic nature; Arcadia; the return to a past Golden Age of Harmony; Romantic rather than Rational

The pastoral world is presented as an idealised “good place” and becomes symbolic of the good life

The psalm "The Lord is my Shepherd" (Psalm 23) uses this imagery to depict God as the "Good Shepherd". It must be one of the most well known and popular of the Psalms.

PSALM 23
David’s confidence in God’s grace.

A Psalm of David.

THE LORD is my shepherd; I shall not want.
2 He makes me to lie down in green pastures: he leadeth me beside the still waters.
3 He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.
4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for
thou art with me; thy rod and thy staff they comfort me.
5 Thou preparest a table before me in the presence of mine enemies; thou anointest my
head with oil; my cup runneth over.
6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell
in the house of the LORD for ever.

On 5th October 2011 the Psalm was the subject of Pope Benedict`s catechesis


""The Lord is my shepherd, I shall not want": thus begins this beautiful prayer, calling to mind the nomadic environment of sheep-rearing and the experience of a mutual knowledge that is established between the shepherd and the sheep that make up his little flock. The image evokes an atmosphere of confidence, intimacy and tenderness: the shepherd knows his young sheep one by one; he calls them by name and they follow him, because they know him and they trust him (cf. John 10:2-4). He cares for them; he guards them as precious possessions, ready to defend them, to assure their well-being, and to establish them in peace. Nothing can be lacking if the shepherd is with them. The psalmist makes reference to this experience, by calling God his shepherd and by allowing himself to be guided by Him towards safe pastures"

The Psalm reminds us of Ezekiel 34

In the first 11 verses, God uses the prophet to chastise the leaders of the nation for failing to lead the people rightly in their walk with God. He suggests that they should have been shepherds, caring for God's flock, but instead had been feeding upon them for their own selfish gain.

God then says that he will be the Shepherd to Israel.

"11 For this is what the Sovereign LORD says: I myself will search for my sheep and look after them.

12 As a shepherd looks after his scattered flock when he is with them, so will I look after my sheep. I will rescue them from all the places where they were scattered on a day of clouds and darkness.

13 I will bring them out from the nations and gather them from the countries, and I will bring them into their own land. I will pasture them on the mountains of Israel, in the ravines and in all the settlements in the land.

14 I will tend them in a good pasture, and the mountain heights of Israel will be their grazing land. There they will lie down in good grazing land, and there they will feed in a rich pasture on the mountains of

15 I myself will tend my sheep and have them lie down, declares the Sovereign LORD.

16 I will search for the lost and bring back the strays. I will bind up the injured and strengthen the weak, but the sleek and the strong I will destroy. I will shepherd the flock with justice. ...

22 I will save my flock, and they will no longer be plundered. I will judge between one sheep and another.

23 I will place over them one shepherd, my servant David, and he will tend them; he will tend them and be their shepherd.

24 I the LORD will be their God, and my servant David will be prince among them. I the LORD have spoken.

25 “‘I will make a covenant of peace with them and rid the land of savage beasts so that they may live in the wilderness and sleep in the forests in safety.

26 I will make them and the places surrounding my hill a blessing.I will send down showers in season; there will be showers of blessing.

27 The trees will yield their fruit and the ground will yield its crops; the people will be secure in their land. They will know that I am the LORD, when I break the bars of their yoke and rescue them from the hands of those who enslaved them.

28 They will no longer be plundered by the nations, nor will wild animals devour them. They will live in safety, and no one will make them afraid.

29 I will provide for them a land renowned for its crops, and they will no longer be victims of famine in the land or bear the scorn of the nations.

30 Then they will know that I, the LORD their God, am with them and that they, the Israelites, are my people, declares the Sovereign LORD.

31 You are my sheep, the sheep of my pasture, and I am your God, declares the Sovereign LORD.’

Sunday, October 09, 2011

A Good Man Is Hard to Find

The torch song A Good Man Is Hard to Find sung here by Bessie Smith was an inspiration.



A Good Man Is Hard to Find (1953) is one of the strangest and grotesque stories from the pen of the Southern Catholic writer Flannery O'Connor (March 25, 1925 – August 3, 1964)

Here is a recording from 1959 of Flannery O’Connor herself reading A Good Man is Hard to Find at Vanderbilt University.

The text was made into a very short and not very successful film Black Hearts Bleed Red in 1992

The three main characters are Bailey, the Grandmother and The Misfit. Bailey has a wife and three children. He and his family are preparing for a trip from Atlanta to Florida by car. Accompanying them is the Grandmother. On the way on a dirt road they come across The Misfit a dangerous escaped prisoner. He and his gang kill the family in cold blood.

The climax to the story is strange and horrific:

The Misfit has already directed the execution of the Grandmother's entire family, and it must be obvious to all, including reader and Grandmother, that she is the next to die. But she struggles on.

Grasping at any appeal, and hardly aware of what she is saying, the Grandmother declares to the Misfit: "Why you're one of my babies. You're one of my own children!" As she utters these shocking words, "She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest"

It is a profoundly disturbing work on the nature of evil and Grace.

The Misfit has faith and believes in Jesus and the Resurrection, He says:
"Jesus thown everything off balance. It was the same case with Him as with me except He hadn't committed any crime . . . Jesus was the only One that ever raised the dead . . . and He shouldn't have done it. He thown everything off balance ... "
He goes on:
"I wasn't there so I can't say He didn't [rise from the dead] ," The Misfit said. "I wisht I had of been there," he said, hitting the ground with his fist. "It ain't right I wasn't there because if I had of been there I would of known. Listen lady," he said in a high voice, "if I had of been there I would of known and I wouldn't be like I am now."
He does not lack reason. Indeed at times he seems the most rational person in the group. He says:
""If He did what He said, then it's nothing for you to do but throw away everything and follow Him, and if He didn't, then it's nothing for you to do but enjoy the few minutes you got left the best way you can-by killing somebody or burning down his house or doing some other meanness to him. No pleasure but meanness,"
He is the man without Love, without Charity.

Wednesday, September 28, 2011

Saint Michael in Room A



Spinello Aretino (active 1373; died 1410/11)
Saint Michael and Other Angels
about 1373-1410,
Fresco Fragment
Room A, The National Gallery, London

This is one of the fresco fragments of the work by Spinello Aretino. St Michael and the Angels are shown fighting a war in Heaven.

It is in Room A of The National Gallery in London and can only be viewed for a few hours every Wednesday afternoon

A native of Arezzo, Spinello worked all over Tuscany including Florence.

His most celebrated work and probably the most viewed is his series of frescoes on the Life of Saint Benedict in the sacristy of San Miniato in Florence.

One can sit and gaze at the frecoes there for hours. If you did not know anything about St Benedict before you went in, you will after sitting there for thirty minutes

He was buried in the Church of Saint Augustine in Arezzo

The fresco fragments in The National Gallery seem to be from the frescoes mentioned by his fellow Aretine, Vasari in his life of Spinello Aretino

Vasari said the frescoes were painted when Aretino was old and had "retired" back to his native town at the end of his long life:

"Having returned there [Arezzo], then, at the age of seventy-seven or more, he [Spinello Aretino] was received lovingly by his relatives and friends, and was ever afterward cherished and honoured up to the end of his life, which was at the age of ninety- two.

And although he was very old when he returned to Arezzo, and, having ample means, could have done without working, yet, as one who was ever used to working, he knew not how to take repose, and undertook to make for the Company of S. Agnolo in that city certain stories of S. Michael, which he sketched in red on the intonaco of the wall, in that rough fashion wherein the old craftsmen used generally to do it; and in one corner, for a pattern, he wrought and colored completely a single story, which gave satisfaction enough.

Then, having agreed on the price with those who had charge thereof, he finished the whole wall of the high altar, wherein he represented Lucifer fixing his seat in the North; and he made there the Fall of the Angels, who are being transformed into devils and raining down to earth; while in the air is seen a S. Michael, who is doing combat with the ancient serpent of seven heads and ten horns; and below, in the centre, there is a Lucifer, already transformed into a most hideous beast.

And Spinello took so much pleasure in making him horrible and deformed, that it is said (so great, sometimes, is the power of imagination) that the said figure painted by him appeared to him in a dream, asking Spinello where he had seen him so hideous, and why he had offered him such an affront with his brushes; and that he, awaking from his sleep, being unable to cry out by reason of his fear, shook with a mighty trembling, insomuch that his wife, awaking, came to his rescue. But he was none the less thereby in peril his heart being much strained of dying on the spot by reason of such an accident; and although he lived a little afterwards, he was half mad, with staring eyes, and he slipped into the grave, leaving great sorrow ..."


In the fresco we see depicted The War in Heaven mentioned in The Book of Revelation 12: 7 - 9:

"7: And there was war in heaven: Michael and his angels fought against the Dragon; and the Dragon fought and his angels,
8: And prevailed not; neither was their place found any more in Heaven.
9: And the great Dragon was cast out, that old Serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him"


These three verses about Civil War in Heaven and the overcoming by Good of Evil have inspired many. Not least Paradise Lost by John Milton (1608–1674). Here is part of Book VI:

"........Amazement seized
The rebel Thrones, but greater rage, to see
Thus foiled their mightiest; ours joy filled, and shout, 200
Presage of victory, and fierce desire
Of battle: whereat Michaël bid sound
The Archangel trumpet. Through the vast of Heaven
It sounded, and the faithful armies rung
Hosannah to the Highest; nor stood at gaze 205
The adverse legions, nor less hideous joined
The horrid shock. Now storming fury rose,
And clamour such as heard in Heaven till now.
Was never; arms on armour clashing brayed
Horrible discord, and the madding wheels 210
Of brazen chariots raged; dire was the noise
Of conflict; overhead the dismal hiss
Of fiery darts in flaming volleys flew,
And, flying, vaulted either host with fire.
So under fiery cope together rushed 215
Both battles main with ruinous assault
And inextinguishable rage. All Heaven
Resounded; and, had Earth been then, all Earth
Had to her centre shook. What wonder, when
Millions of fierce encountering Angels fought 220
On either side, the least of whom could yield
These elements, and arm him with the force
Of all their regions? How much more of power
Army against army numberless to raise
Dreadful combustion warring, and disturb, 225
Though not destroy, their happy native seat;
Had not the Eternal King Omnipotent
From his strong hold of Heaven high overruled
And limited their might, though numbered such
As each divided legion might have seemed 230
A numerous host, in strength, each armèd hand
A legion! Led in fight, yet leader seemed
Each warrior single as in chief; expert
When to advance, or stand, or turn the sway
Of battle, open when, and when to close 235
The ridges of grim war. No thought of flight,
None of retreat, no unbecoming deed
That argued fear; each on himself relied
As only in his arm the moment lay
Of victory. Deeds of eternal fame 240
Were done, but infinite; for wide was spread
That war, and various: sometimes on firm ground
A standing fight; then, soaring on main wing,
Tormented all the air; all air seemed then
Conflicting fire. Long time in even scale 245
The battle hung; till Satan, who that day
Prodigious power had shown, and met in arms
No equal, ranging through the dire attack
Of fighting Seraphim confused, at length
Saw where the sword of Michael smote, and felled 250
Squadrons at once: with huge two-handed sway
Brandished aloft, the horrid edge came down
Wide-wasting. Such destruction to withstand
He hasted, and opposed the rocky orb
Of tenfold adamant, his ample shield, 255
A vast circumference. At his approach
The great Archangel from his warlike toil
Surceased, and, glad, as hoping here to end
Intestine war in Heaven, the Arch-foe subdued,
Or captive dragged in chains, with hostile frown 260
And visage all inflamed"

Does St Michael have a place outside art or story telling ? Well yes if one can get past the patina of scientific realism which suffuses modern society.

Pope Benedict XVI explained it thus in a homily to Bishops in 2007 on the Memorial of the three Archangels in St Peter's Basilica on Saturday, 29 September 2007:

"First of all there is Michael. We find him in Sacred Scripture above all in the Book of Daniel, in the Letter of the Apostle St Jude Thaddeus and in the Book of Revelation.

Two of this Archangel's roles become obvious in these texts. He defends the cause of God's oneness against the presumption of the dragon, the "ancient serpent", as John calls it.

The serpent's continuous effort is to make men believe that God must disappear so that they themselves may become important; that God impedes our freedom and, therefore, that we must rid ourselves of him.

However, the dragon does not only accuse God. The Book of Revelation also calls it "the accuser of our brethren..., who accuses them day and night before our God" (12: 10).

Those who cast God aside do not make man great but divest him of his dignity. Man then becomes a failed product of evolution. Those who accuse God also accuse man.

Faith in God defends man in all his frailty and short-comings: God's brightness shines on every individual. ...

And what more could one say and think about man than the fact that God himself was made man?

Michael's other role, according to Scripture, is that of protector of the People of God (cf. Dn 10: 21; 12: 1).

Dear friends, be true "guardian angels" of the Church which will be entrusted to you!

Help the People of God whom you must lead in its pilgrimage to find the joy of faith and to learn to discern the spirits: to accept good and reject evil, to remain and increasingly to become, by virtue of the hope of faith, people who love in communion with God-Love."

Tuesday, September 27, 2011

Labouring in Vineyards

Georges Rohner 1913 - 2000
Le Labourage dans les vignes
Working amongst the vines
1937
Oil on canvas
60 cm x 73 cm
Musée départemental de l'Oise, Beauvais

Rohner was passionate about art. He helped found a new movement "Forces nouvelles" dedicated to the art of drawing well and to return to nature

In 1940 he was interned at Trèves. In the chapel at Stalag XII D he painted « Le Christ aux prisonniers» (see below)

Georges Rohner 1913 - 2000
Le Christ aux prisonniers
Christ amongst the Prisoners
1941
Oil on canvas
190 cm x 34.4 cm
Musée national d'Art moderne, Centre Georges Pompidou, Paris


In 1968 he was elected to the Académie des beaux-arts where he occupied the seat once taken by Ingres.

In 1965 he illustrated the French Catholic author François Mauriac`s " Oeuvres romanesques "

Here he is in a video talking about art and some of his works (in French):




The Parable of The Two Sons and The Parable of the Tenants are set in vineyards, places of work belonging to the Father.

Christ had entered Jerusalem and was preaching in the Temple Courts. He was overheard by the Chief Priests and Elders. They came up to him and asked him by what authority he preached (Matthew 21)

The narrative continues:

"24 Jesus replied, “I will also ask you one question. If you answer me, I will tell you by what authority I am doing these things. 25 John’s baptism—where did it come from? Was it from heaven, or of human origin?”

They discussed it among themselves and said, “If we say, ‘From heaven,’ he will ask, ‘Then why didn’t you believe him?’ 26 But if we say, ‘Of human origin’—we are afraid of the people, for they all hold that John was a prophet.”

27 So they answered Jesus, “We don’t know.”

Then he said, “Neither will I tell you by what authority I am doing these things.

The Parable of the Two Sons

28 “What do you think? There was a man who had two sons. He went to the first and said, ‘Son, go and work today in the vineyard.’

29 “‘I will not,’ he answered, but later he changed his mind and went.

30 “Then the father went to the other son and said the same thing. He answered, ‘I will, sir,’ but he did not go.

31 “Which of the two did what his father wanted?”

“The first,” they answered.

Jesus said to them, “Truly I tell you, the tax collectors and the prostitutes are entering the kingdom of God ahead of you. 32 For John came to you to show you the way of righteousness, and you did not believe him, but the tax collectors and the prostitutes did. And even after you saw this, you did not repent and believe him.

The Parable of the Tenants

33 “Listen to another parable: There was a landowner who planted a vineyard. He put a wall around it, dug a winepress in it and built a watchtower. Then he rented the vineyard to some farmers and moved to another place. 34 When the harvest time approached, he sent his servants to the tenants to collect his fruit.

35 “The tenants seized his servants; they beat one, killed another, and stoned a third. 36 Then he sent other servants to them, more than the first time, and the tenants treated them the same way. 37 Last of all, he sent his son to them. ‘They will respect my son,’ he said.

38 “But when the tenants saw the son, they said to each other, ‘This is the heir. Come, let’s kill him and take his inheritance.’ 39 So they took him and threw him out of the vineyard and killed him.

40 “Therefore, when the owner of the vineyard comes, what will he do to those tenants?”

41 “He will bring those wretches to a wretched end,” they replied, “and he will rent the vineyard to other tenants, who will give him his share of the crop at harvest time.”

42 Jesus said to them, “Have you never read in the Scriptures:

“‘The stone the builders rejected
has become the cornerstone;
the Lord has done this,
and it is marvelous in our eyes’?

43 “Therefore I tell you that the kingdom of God will be taken away from you and given to a people who will produce its fruit. 44 Anyone who falls on this stone will be broken to pieces; anyone on whom it falls will be crushed.”

45 When the chief priests and the Pharisees heard Jesus’ parables, they knew he was talking about them. 46 They looked for a way to arrest him, but they were afraid of the crowd because the people held that he was a prophet."


Pope Benedict XVI recently said that the first of these two parables should disturb us greatly

He said of the punchline to the first parable:

"Translated into the language of the present day, this statement might sound something like this:

agnostics, who are constantly exercised by the question of God, those who long for a pure heart but suffer on account of their sin, are closer to the Kingdom of God than believers whose life of faith is “routine” and who regard the Church merely as an institution, without letting it touch their hearts, or letting the faith touch their hearts."

Both parables certainly disturbed the Chief Priest and the elders, so disturbed that they wanted to arrest Jesus. If they could have, they would have. They wanted him silenced and punished. And to an extent they did and it appeared for a very short time that they were successful

The two parables are linked.

The first parable is about two of the sons: the one who said "No" but did what he was told; the other who said "Yes" but did not bother. The third parable is about the third son: the one who said "Yes" and went and did his Father`s will and suffered death as a result.

The Pope went on in his homily:

"The Gospel for this Sunday, as we saw, speaks of two sons, but behind them, in a mysterious way, is a third son.

The first son says “no,” but does the father’s will. The second son says “yes,” but does not do what he was asked. The third son both says “yes” and does what he was asked.

This third son is the Only-begotten Son of God, Jesus Christ, who has gathered us all here.

Jesus, on entering the world, said: “Lo, I have come to do thy will, O God” (Heb 10:7). He not only said “yes”, he acted on that “yes”, and he suffered it, even to death on the Cross.

As the Christological hymn in the second reading says:

“Though he was in the form of God, [Jesus] did not count equality with God a thing to be grasped, but emptied himself, taking the form of a servant, being born in the likeness of men. And being found in human form he humbled himself and became obedient unto death, even death on a Cross” (Phil. 2: 6-8).

In humility and obedience, Jesus fulfilled the will of the Father and by dying on the Cross for his brothers and sisters, for us, he saved us from our pride and obstinacy. Let us thank him for his sacrifice, let us bend our knees before his name and proclaim together with the disciples of the first generation:

“Jesus Christ is Lord, to the glory of God the Father” (Phil 2:11)."

(Pope Benedict XVI, Homily at Mass at Freiburg im Breisgau on Sunday, 25 September 2011)

Saturday, September 24, 2011

Vineyards, vines and grapes

Paul Edouard Rischgitz (1828-1909)
Vintage on the banks of the Arve near Geneva
1857
Oil on canvas
45.7 cm x 75 cm
The Victoria and Albert Museum, London

Ernst Straßner 1905-1991
Schwäbischer Weinberg
1980
Universitätsmuseum für Kunst und Kulturgeschichte, Marburg

In Europe and around the Mediterranean it is the middle of the grape harvest. Unfortunately due to climate we in Britain (apart from a few areas in Southern England such as Dorking) do not participate.

Knowledge about the grape in Britain mainly concentrates on winemaking. It is an imported product. We do not see the time, effort and trouble gone into producing such a tiny berry.


The Limbourg Brothers
The Harvest in the Vineyard
From Le Calendrier. Le mois de septembre in Les Très Riches Heures du duc de Berry
16th century
Illuminated manuscript
29cm x 21cm
Musée Condé, Chantilly


Vineyards are common in Spain, Italy, France, Greece, Turkey and the Middle East. Viticulture has a long long pedigree going back to at least the Bronze Age.

Vineyards and the cultivation of the grape have been and still are part of "the culture"

Raw grapes and cooked vine leaves for eating, wine making, grape juice, the making of jams, molasses, the use of the grape as dried fruit (Raisins, currants and sultanas), the making of vinegar, and the making of grape seed oil, all are by products of a very versatile fruit.

Long known about and a whole art, craft and science has been devoted to it.

Noah grew vines on his farm apparently. Wine was used in Jewish feasts. The Greeks had a god Dionysos, and the Romans Bacchus, both intimately associated with the vine and the grape.

Christ too knew about vines and vineyards.

They crop up amongst his parables: The Labourers in the Vineyard [Matt 20:1-16]; The Parable of the Evil Husbandmen [ Matthew 21:33-41, Mark 12:1-9, Luke 20:9-16] and the so called parable of The Vine and the Branches [John 15:1-6]

And of course he chose the product of the vineyard to be the means of redemption

The Vine and the Branches was the recent subject of Pope Benedict`s homily at the Mass at the Olympiastadion (Berlin, 22 September 2011)


Jean François Millet 1814 - 1875
Binding the grapevine
Drawing: Black chalk, with blue wash
247 millimetres x 190 millimetres
The British Museum, London

It us only narrated in The Gospel of John. The words of Jesus come in the teaching to his disciples just before the Passover before his Passion, Crucifixion and death:

1 "I am the true vine, and my Father is the vine grower.

2 He takes away every branch in me that does not bear fruit, and everyone that does he prunes 3 so that it bears more fruit.

3 You are already pruned because of the word that I spoke to you.

4 Remain in me, as I remain in you. Just as a branch cannot bear fruit on its own unless it remains on the vine, so neither can you unless you remain in me.

5 I am the vine, you are the branches. Whoever remains in me and I in him will bear much fruit, because without me you can do nothing.

6 Anyone who does not remain in me will be thrown out like a branch and wither; people will gather them and throw them into a fire and they will be burned.

7 If you remain in me and my words remain in you, ask for whatever you want and it will be done for you.

8 By this is my Father glorified, that you bear much fruit and become my disciples.

9 As the Father loves me, so I also love you. Remain in my love.

10 If you keep my commandments, you will remain in my love, just as I have kept my Father's commandments and remain in his love.

11 "I have told you this so that my joy may be in you and your joy may be complete.

12 This is my commandment: love one another as I love you.

13 No one has greater love than this, to lay down one's life for one's friends.

14 You are my friends if you do what I command you."
(John 15: 1 - 14)


Gérard David (c 1460 - 1523)
La Vierge et les Saintes / Virgin and Saints
Oil on wood panel
1.18 m x 2.12 m
Musée des Beaux-Arts, Rouen


Pope Benedict in his homily said:

"If we consider these beati and the great throng of those who have been canonised and beatified, we can understand what it means to live as branches of Christ, the true vine, and to bear fruit.

Today’s Gospel puts before us once more the image of this climbing plant, that spreads so luxuriantly in the East, a symbol of vitality and a metaphor for the beauty and dynamism of Jesus’ fellowship with his disciples and friends – with us.

In the parable of the vine, Jesus does not say: “You are the vine”, but:

“I am the vine, you are the branches” (Jn 15:5).

In other words: “As the branches are joined to the vine, so you belong to me! But inasmuch as you belong to me, you also belong to one another.”

This belonging to each other and to him is not some ideal, imaginary, symbolic relationship, but – I would almost want to say – a biological, life-transmitting state of belonging to Jesus Christ.

Such is the Church, this communion of life with Jesus Christ and for one another, a communion that is rooted in baptism and is deepened and given more and more vitality in the Eucharist. “I am the true vine” actually means: “I am you and you are I” – an unprecedented identification of the Lord with us, with his Church ...

Once again, Jesus says in the parable, and I quote:

“I am the true vine, and my Father is the vinedresser” (Jn 15:1),

and he goes on to explain that the vinedresser reaches for his knife, cuts off the withered branches and prunes the fruit-bearing ones, so that they bring forth more fruit.

Expressed in terms of the image from the prophet Ezekiel that we heard in the first reading, God wants to take the dead heart of stone out of our breast and give us a living heart of flesh (cf. Ez 36:26), a loving heart, a heart of gentleness and peace.

He wants to bestow new life upon us, full of vitality. Christ came to call sinners. It is they who need the doctor, not the healthy (cf. Lk 5:31f.). ...

[L]et us return to the Gospel. The Lord continues thus:

“Abide in me, and I in you. As the branch cannot bear fruit by itself, unless it abides in the vine, neither can you, unless you abide in me ... for apart from me [i.e. separated from me, or outside me] you can do nothing” (Jn 15:4f.).

Every one of us is faced with this choice. The Lord reminds us how much is at stake as he continues his parable:

“If a man does not abide in me, he is cast forth as a branch and withers; and the branches are gathered, thrown into the fire and burned” (Jn 15:6).

In his commentary on this text, Saint Augustine says:

“The branch is suitable only for one of two things, either the vine or the fire: if it is not in the vine, its place will be in the fire; and that it may escape the latter, may it have its place in the vine” (In Ioan. Ev. Tract. 81:3 [PL 35, 1842]).

The decision that is required of us here makes us keenly aware of the fundamental significance of our life choices. But at the same time, the image of the vine is a sign of hope and confidence.

Christ himself came into this world through his incarnation, to be our root. Whatever hardship or drought befall us, he is the source that offers us the water of life, that feeds and strengthens us.

He takes upon himself all our sins, anxieties and sufferings and he purifies and transforms us, in a way that is ultimately mysterious, into good branches that produce good wine.

In such times of hardship we can sometimes feel as if we ourselves were in the wine-press, like grapes being utterly crushed. But we know that if we are joined to Christ we become mature wine. God can transform into love even the burdensome and oppressive aspects of our lives.

It is important that we “abide” in Christ, in the vine. The evangelist uses the word “abide” a dozen times in this brief passage. This “abiding in Christ” characterizes the whole of the parable.

In our era of restlessness and lack of commitment, when so many people lose their way and their grounding, when loving fidelity in marriage and friendship has become so fragile and short-lived, when in our need we cry out like the disciples on the road to Emmaus:

“Lord, stay with us, for it is almost evening and darkness is all around us!” (cf. Lk 24:29),

in this present era, the risen Lord gives us a place of refuge, a place of light, hope and confidence, a place of rest and security.

When drought and death loom over the branches, then in Christ we find future, life and joy. In him we always find forgiveness and the opportunity to begin again, to be transformed as we are drawn into his love.

To abide in Christ means, as we saw earlier, to abide in the Church as well.

The whole communion of the faithful has been firmly incorporated into the vine, into Christ. In Christ we belong together. Within this communion he supports us, and at the same time all the members support one another.

We stand firm together against the storm and offer one another protection. Those who believe are not alone. We do not believe alone, we believe with the whole Church of all times and places, with the Church in heaven and the Church on earth.

The Church, as the herald of God’s word and dispenser of the sacraments, joins us to Christ, the true vine.

The Church as “fullness and completion of the Redeemer”, as Pius XII expressed it (Pius XII, Mystici Corporis, AAS 35 [1943] p. 230: “plenitudo et complementum Redemptoris”), is to us a pledge of divine life and mediator of those fruits of which the parable of the vine speaks.

Thus the Church is God’s most beautiful gift.

Therefore Saint Augustine could say: “as much as any man loves the Church, so much has he the Holy Spirit” (In Ioan. Ev. Tract. 32:8 [PL 35:1646]).

With and in the Church we may proclaim to all people that Christ is the source of life, that he exists, that he is the great one for whom we keep watch, for whom we long so much. He gives himself, and thus he gives us God, happiness, and love.

Whoever believes in Christ has a future. For God has no desire for what is withered, dead, ersatz, and finally discarded: he wants what is fruitful and alive, he wants life in its fullness and he gives us life in its fullness."