Joan de Joanes 1507 - 1579
The Immaculate Conception
1535 - 1540
Oil on panel
215 x 184 cm
Fundación Banco Santander, Spain
This is one of the earliest depictions of the Immaculate Conception in Spanish religious art
It is by one of the most important painters in the Spanish Renaissance, and one of the great religious artists
The influence of Italian art is clear. However it is not certain if he did travel to Italy. He may have imbibed this influence through Italian artists in Spain and/or through works of Italian art which made their way to Spain
His work on the Immaculate Conception had a profound influence on the Seville school (Pacheco, Velázquez, Francisco de Zurbarán) who refined, simplified, humanised, popularised and internationalised the image of the Immaculate Conception with which we are probably more familiar with today
He and his father were from the city of Valencia
Juan`s father, the artist Vicente Juan Masip (1475– 1545) had painted an earlier Immaculate Conception for the Jesuit church in Valencia. That picture was apparently inspired by a revelation undergone by the painter's confessor, the Jesuit Father Martin Alberto.
This veneration of the Immaculada was a precursor to the great veneration accorded to the Immaculate Conception in seventeenth century Spain which was the hallmark of Spanish life at the time
The iconography in Juan`s work is a composite of complex symbols and litanies celebrating the life of the Virgin and her role in the church, starting at conception and culminating in her coronation as Queen of Heaven
Throughout all stages of her life she is shown as the closest to God and a prized treasure of the creation of the Trinity
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